The Mosley Review: Babylon
Its been a while since we've had a truly chaotic and whimsical film. A film that doesn't play it safe and goes for the insanity right off the bat. What we really haven't had in a long time is a period film about the massive transitions, hardships and dangers of Hollywood. Its become a niche genre in film that isn't explored as much since the entertainment genre has evolved so much. This film explores the classic period of cinema in the 1920's when silent films were king and the music, fashion, alcohol, opioids and depravity were at its highest peaks. Just the first 20 minutes alone was like a serious fever dream of debauchery, style and fun that was out of this world. They called it the roaring 20's for a reason and this film excels at showing why the era earned its title. Aside from the parties and drugs on tap, you got a fast look at the quick pace of the birth of a star, the growth of a business man, a musician striving for greatness while facing a challenge that is still prevalent today and then a fading of a star. Its so multi-layered and dizzying to explore but in this 3 hour epic, there was plenty of time spent to explore the dark underbelly of the industry and actual character development.
Margot Robbie was absolutely stunning and insanely energetic as rising starlet Nellie LaRoy. The moment she crashes on to the screen she commands the focus. You see LaRoy's meteric climb to fame as she quickly shows off her talents and then the eventual and disturbingly fast cocaine fueled decline. It's a cautionary tale as old as time, but she somehow finds a way to bring out the empathy of the character. Diego Calva was awesome as the film assistant Manny Torres and his journey was something to really focus on as you see the story truly through his eyes from the ground floor. The emotional turmoil the man goes through as he worked so hard to survive not only the assistant life, but also his navigation of the studio system was inspiring and terrifyingly stressful. His chemistry with LaRoy was the heart of the film and yet lacked a lot of logic towards the last half of the film. Anyone else would've stepped away from the chaos, but man did he really hang in there. Brad Pitt was excellent as the arrogant, decadant and never sober movie star Jack Conrad. Pitt truly delivers a strong look at the life of a rock star actor who's earned his status in the industry and yet has never really given up the party life. He is effected the most once the industry begins to shift away from silent films to talkies and to see his reactions was refreshing and classic. Jean Smart was elegant and fun as the journalist Elinor St. John. She may have been around for the debauchery, but she knew what was coming and had a realistic outlook on the world. Li Jun Li was outstanding as the cabaret singer and titles designer Lady Fay Zhu. She was so smooth in her scenes and even though she was not in it for too long, she represented that sexuality and control that Hollywood at the time was not ready for. Jovan Adepo was great as the sensational jazz trumpet player Sidney Palmer. His rise to fame was fun to watch and subtle in execution. I loved how he handled himself as essentially a session musician that got recognized for his talent. The obvious level of racism of Hollywood is explored in this film in one of the most degrading scenes I've ever seen and yet it still happens today, but in digital form. Sidney never forgets his roots and he was truly one of my favorite characters. Tobey Maguire was absolutely weird and terrifying as the truly messed up mob boss James McKay. He was very welcoming, but man his eyes were filled with evil and he takes you into the darkness in the most disturbing scenes of the film.
The score by Justin Hurwitz was pure brilliance. It was fun, energetic, chaotic and captured the tone and speed of the film's nonstop pace. Even with its infectious energy coursing through the veins of the film, there were enough moments where it highlighted heart of the film. The cinematography was outstanding and showcased the epic parties and landscapes of the many locations in Los Angeles. Even though the film was a 3 hour epic, I didn't feel the length of the film because of the fast pacing at not many have mastered that technique. There were moments that I think could've been trimmed a bit here and there, but overall I loved the film history lesson. The old saying of life immitading art and art immitading life was on full display in the last 30 minutes of the film and that I enjoyed. This was not only a energetic celebratory look at cinema history, but also a cautionary tale and reminder of how fast your life can change in the entertainment world for the best or the worst. Let me know what you thought of the film or my review in the comments below. Thanks for reading!
